In college, I was inspired by the excellent work of former U.S. poet laureate Billy Collins to develop my own poetic voice. I’ve had several poems published in journals in the United States and the United Kingdom. Here’s a sampling of my work. Want to read more? Ask me!
Going Deaf He sat that night in the company of himself, crying was pointless, rage was a waste. He had strained to hear the flute and the shepherd’s voice and had heard nothing beyond the muffled questions of his countryside companion. In terms of pure convenience consumption would have been better, typhus perhaps, even blindness. He didn’t have a right to be compared to Job but the thought came anyway as he realized the One who truly loved him was allowing sound to slip away. Instead of reaching for rope or the latch of his third floor window he picked up his sketchbook, closed his eyes, fingered the tranquil air and began to compose. Sound be damned, he whispered, as the first strains of his 8th Sonata for Violin and Piano came to him, frenzied, bright, hopeful, adamant. The best was yet to come.
Forty-four Sonnets “I love thee to the depth and breadth and height / My soul can reach…” - Elizabeth Barrett Browning, Sonnet XLIII And she had brought them to him in the morning, folded manuscript, declaration of all she knew he was to her. How he must have sat there reading the language of her heart, how light and loved and free he must have felt standing up to go to her, how much was in their next embrace. Ah! And they would have kissed as never kissed before, never even as those first three kisses, on her hand, on her head, on her lips. Beloved, she had written, my beloved, and if he’d ever wondered just how deep, just how wide, just how high, now he knew.
Morning We rise early, before them. Even thirty minutes is a blessing. Sitting together, alone, sipping tea, all we can think of is them not being there. The silence disarms us. We actually look at each other. We really talk. Before long, they wake, they fight, they scream, they make their mark on the day, but this time, we're ready.
Elvis Laughing The piano begins in earnest, cultivates the melody Take twelve is going fine until it’s his turn. Perhaps it was a private joke or the irony of words that made him stray from script to laughter. The engineer smiles. He knows a masterpiece isn’t far away. Who cares how long it takes? He clips the wings of our sound, the guitar player jokes and Elvis raises his hand, like a wand, in the air: “I tell you what, let’s try it one more time,” and everything is undone again, rewound, reverted. The intro seems unsure of itself for four measures and then his voice, smooth, laced with trills. Three minutes and the song dies away, flies away and we listen to the silence, marooned, Thinking sixty years ago in a Memphis studio he was laughing as soon as he was clear.
As If I Could Say Something to Langston Hughes I guess it’s not my place to thank you for your words, short bursts of clarity and inspiration. I wasn’t one of the ones to heave a heavy sigh at not being served and fight back the daily urges to grab them and shake them and scream into their white ears that I was SOMEONE. I can’t say I know the feeling of hearing that my friend or an uncle or my sister was hung from a tree while the moon was forced to watch and listen to them laugh and drive away. I’ve never sung a spiritual the way you may have or the way the brothers and sisters you wrote for may have spoken or whispered them as they wondered how soon and very soon it would all be different and how much longer they should hope. You were on Lenox Avenue that night, and you could write The Weary Blues because you felt them. I can only listen. I’m going to thank you though, not as a Negro, not as a man or woman with graying hair who can remember exactly where I was when Rosa Parks made my heart sing, but as a young, white man from Scotland, a poet, a human, your brother if I may.
Lines Written Below a Statue of Robert Burns in Stanley Park, Vancouver Once again, he reminds me that we are all children in the same family. It’s the sentiment of Lord Stanley too, standing nearby with open arms to people of all colors, creeds, and customs. These statues set the tone for the steady stream of visitors who enter by horse and horsepower, bicycle and foot. It’s the reason the mother watching her children play will look over at you and smile, why the vendor will take extra care packing your ice cream, why the beluga whale will seem to slow as it swims by in the tank, giving you time to take in its prominent forehead and dark, piercing eyes. It may also be why you pick up the stray wrapper on the forest path and why you offer to take a picture for the newlyweds at Hallelujah Point. And it’s quite possible, however unlikely, that the squirrel sitting on the rock while you eat your lunch will give you a nod, remembering a poem he read once about a helpless field mouse and the kind young man who noticed it and saved it from the blade of his plough.
Birthday and it is a celebration not so much that you were born as it is that you are here today. who, then, is the recipient of the gift today? you, with our tidings in bows around you, or us?